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What: Thompson Egbo Egbo @ The Redwood Theatre

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Thompson Egbo Egbo @ The Redwood Theatre

Thompson Egbo-Egbo defies categorization. A pianist and composer, his music weaves jazz, classical, soul, and cinematic elements into something unmistakably his own. Raised in Toronto, Egbo-Egbo’s unique voice has been shaped by a lifetime of musical immersion—from early classical training to collaborations with some of Canada’s most celebrated artists.

Whether performing solo, leading his trio, or scoring for film and stage, Thompson brings intensity, grace, and an emotional depth that lingers. Audiences often describe his performances as transformative—where the piano becomes an extension of his voice, and time seems to stretch.

A graduate of both Humber College and Berklee College of Music, Egbo-Egbo is also a passionate community-builder, educator, and advocate for youth arts programming. His recent trio album Oddly Familiar Vol III, Produced and released by global music company Audio Network. is an album that boldly reinterprets the Great American Songbook and the spirit of Miles Davis through a uniquely Canadian voice.

Thompson debuts The Redwood Theatre for an intimate concert that invites listeners into his world—one where every note has a purpose, and every silence tells a story.

How Much:

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Where: The Redwood Theatre

1300 Gerrard St E
Toronto
M4L 1Y7
Canada

Who: Thompson Egbo Egbo

Contemporary Jazz

Acclaimed Toronto composer and pianist, Thompson Egbo-Egbo is always in key. Deeply rooted in his upbringing – moving to Canada from Nigeria at age four, commencing his dedication to playing the piano at the age of six – his innate aptitude and affection for the instrument is as strong as ever to this day. The key that keeps everything aligned is one where Thompson is in tune with his environment, collaborators, community and a signature approach to the art.

On his forthcoming project, set for release via MNRK Music Group this fall, Thompson will draw from themes of transition, rebirth, realignment, joy, and optimism for the future. Partly inspired by the shifts and impact the last two years of the pandemic has placed on both a personal and professional level, audiences will experience the growth and depth of Thompson’s writing, as an offering of sonic catharsis and hope.

The project’s first single, Smells Like Teen Spirit, is a classic cover that many may have heard in one of Thompson’s live performances. The reimagined version shows that, no matter where it’s played or who it’s played for, it connects with people of all generations and cultures.

The album will follow Thompson’s 2019 release, The Offering and 2018 album, A New Standard. While A New Standard sought to change the conversation, The Offering created a new dialogue about what audiences expect from a jazz trio. The recording process itself was an attempt to capture the essence of the live experience - the element that has been attracting an ever-growing audience to the trio’s concerts. A New Standard was Thompson’s debut on MNRK Music Group and sought to redefine the concept of the jazz standard, and included original takes on Radiohead, Bob Dylan and Laura Mvula tunes. It was recorded in the original trio format, with Randall Hall on bass, and Jeff Halischuk on drums, marking a departure from the solo playing for which Thompson had become known.

As this experience struck a chord in his youth, giving back is a trademark note of Thompson’s ethos. Thompson served as a member of the board at Dixon Hall for many years and is currently on the board at Jazz FM 91. His own organization, The Thompson T. Egbo-Egbo Arts Foundation, and Evolving Through the Arts program, supports elementary school students recognizing that a positive change and a sense of self-worth should be instilled in children early and they be afforded opportunities that all children should receive. The foundation strives to fill a void in the education of music and arts not found in many communities, and partners with talented Canadian musicians and artists to provide a well-rounded and focused curriculum, dedicated to creating a resource for underserved Canadian youth to advance in music and the arts, empowers them through a safe environment to learn and express themselves artistically, and provides a platform for children to build their confidence, leadership and teamwork skills.

From his degrees in Music from Humber College, and music production at the Berklee College of Music in Boston, to releasing numerous works and collaborating with some of the world’s most renowned artists, Thompson’s involvement in music has seen many opportunities come his way. Last year, Thompson portrayed a young Oscar Peterson in an episode of Historica Canada’s Heritage Minutes, honouring the artist’s life and career. While he was set to cross the pond for a recording opportunity at Abbey Road Studios in London, UK, Thompson was still able to proceed in Toronto to write and record Oddly Familiar – an album released and archived with Audio Network’s sync library.

Looking ahead, listeners can expect to hear music from Thompson’s new album in a docuseries project by Luminato Festival called Golden Hour. The trio will perform at a selection of Ontario festival dates including Toronto International Film Festival, Kensington Market Jazz Festival, and Orillia Jazz Festival. Next year, Thompson will be performing Oscar Peterson’s music for a special concert with the Windsor Symphony Orchestra in February 2023.

Thompson Egbo-Egbo shares his experiences, presence, and vision through with vibrant energy. The key to his success is not solely unlocked by memorable, harmonically complex compositions that have at their core a deep, abiding groove, but the connection they create within the listener.

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