“LUNDI 28 JUILLET 2025 - VORTEX
Le chaos contrôlé s’empare du Studio56 pour un nouveau lundi de VORTEX.
Trois artistes aux sélections tranchantes, une ambiance noire et déchaînée… prépare-toi à plonger dans le tourbillon.
TIME TABLE
00H RASHA
02H SHA.DOW
04H DEADMAN
&
Early Members Tickets : 7,99€
Regular Members Tickets : 8,99€
Late Tickets : 10,99€
Tickets dispos sur place 12€ !
Vestiaire obligatoire : 2,00€
0H00-6H00
56 rue de la Fontaine au Roi, 75011 Paris
République, Parmentier, Goncourt
Évènement interdit aux mineur-es
R E G L E S D E V I E
Comportements inappropriés (racistes,
misogynes, homophobes…) exclus
instantanément!
Interdit aux moins de 18 ans
Pas de violence sous peine d’exclusion
Respectez le lieu qui nous reçoit
LGBTQIA+ friendly
Faites attention à vous et vos amis
Attention a ce que tu consomme
L’abus d’alcool est dangereux pour la
santé, contrôle toi et ne reprend pas ta voiture
Buvez régulièrement de l’eau
IMPORTANT
Événement réservé aux adultes. L’entrée sera refusée aux personnes en état d’ivresse ou sous l’influence de drogues. Assurez-vous de votre sécurité et de celle de vos proches tout au long de la soirée. Aucune forme de comportement sexiste, homophobe, transphobe, raciste ou violent ne sera tolérée. Nous veillons à garantir la sécurité de tous. Toute expression de haine envers autrui entraînera l’exclusion, voire le bannissement de nos événements.”
Studio 56
✉ 56 Rue de la Fontaine au Roi
Paris
75011
France
Rasha
International
Rasha grew up in the musical crossroads of Khartoum, Sudan, where the Islamic Nubian and Black African musical worlds collide. She comes from a musical family, one of twenty children. Rasha emigrated to Spain a decade ago to escape the volatile civil war raging between Sudan’s Muslim population in the north and its Christian and animist population in the south. Spain is also the home of Rasha’s brother, Wafir, a member of the critically acclaimed Radio Tarifa.
It was in Spain that Rasha began work on the critically acclaimed album, “Sudaniyat” (named by Folk Roots editor Ian Anderson as “One of the 10 best of 1997”). This album brings together the diversity of Sudanese music, ranging from Arabic poetry, sufi music and even touches of reggae. The tone of this tender album is set primarily by the Oud and percussion, with backing guitar and bass that magnificently accentuate Rasha’s spectacular vocals. Thrown into the mix are violins, accordions and a Sudanese big band.
“I’ve always wanted to introduce my native music to a broader public and at the same time not limit it to the strictly traditional themes,” she explains. “Sudan’s music is incredibly diverse and differs in many ways from all other ‘African’ music: it is not as distinctly rhythmic and danceable - even though it is full of complex rhythms - but puts more emphasis on melody. It is more melancholic; it sounds downright sad. And even though it is, at a first glance, very similar to Arabic music, Sudanese music is different - a mixture of both, and yet unlike either of them.” Another key feature of Rasha’s work is her dedication to social justice, women’s rights, and human rights for refugees. Rasha performed at the United Nation’s Working Women’s Day Celebration in 1998. She also traveled to the Saharawi refugee camps in Algeria to raise awareness of the tens of thousands of Western Sahara refugees that have been trapped there for more than two decades.
EDITED BY MOHAMMED ELFADNI(The description of escaping the war, is not accurate, because Khartoum, and many other places in Sudan was and still one of safest place in the world its even safer than Spain it self, despite the war, and that because of the Sudanese people nature, they never threat or harm any person, so the only cause of immigrating from Sudan is the finical issue. )
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