So Where To Today?

Formed in 1988, Buffalo born/Tampa raised Cannibal Corpse helped found, manipulate and transcend the very boundaries of death metal beginning with the scandalously controversial debut, Eaten Back To Life. Raising the eyebrows of inquisitive metalheads and incensed parents and politicians, the record - produced by Scott Burns at the now renowned Morrisound Studios - was more extreme and confrontational than anything the metal genre had ever known. As a result of the band’s brilliantly gruesome cover art, grisly lyrics and song titles like “Hammer Smashed Face,” “Meat Hook Sodomy” and “Addicted To Vaginal Skin,” follow-up records Butchered At Birth (1991) and Tomb Of The Mutilated (1992) were met with further contempt by the likes of such organized censorship leagues as the PMRC. In just three years, the sale of Cannibal Corpse merchandise was (temporarily) prohibited in Australia, Korea and New Zealand (in fact, the sale of Butchered At Birth and the performance of those three records is still forbidden in Germany). But dissuaded they were not.

Many words come to mind when you hear the name Cannibal Corpse, but one truly defines the soon-to-be thirty-year death metal veterans: Unstoppable.

“We’re proud to be part of a scene that has great, experienced bands that stick to their guns,” affirms Webster. “Death metal is an established form of underground music that’s here to stay, and the leadership bands like these have shown by staying true to the genre is no doubt part of the reason it has such longevity.” That Cannibal Corpse have carved out a career spanning almost three decades is testament to their work ethic, innovative songwriting, passion and devotion to extreme music - though it still remains an astounding feat to the members, as Webster makes humbly clear. “Who could have imagined this? When we started, even Black Sabbath hadn’t been around for three decades. There simply was no precedent for a lifelong career in metal, of any kind, let alone a relatively new form like death metal. We’ve been unbelievably lucky, and we are so grateful to our fans for making it possible.” In typically grounded fashion, they continue to forge ahead, seeing no end in sight, Webster stating he likes to think they have yet to write their best record, while Mazurkiewicz outlines their goals: “I would say we just want to keep it going, try to better ourselves - and finally open for Slayer!”