Where: silent green Kulturquartier
Berlin
13347
Germany
Berlin
What: Patricia Wolf @ silent green Kulturquartier
When:
loscil loscil is the electronic music project of Canadian composer and multimedia artist Scott Morgan. For over 20 years, Morgan has built a robust catalogue of work under the loscil moniker, loosely spanning the genres of ambient, classical and electroacoustic music. Since 2001, the vast majority of loscil’s albums have been released on the esteemed American imprint, Kranky.
In May 2025 loscil returns to Kranky with Lake Fire, a nine-track offering of ash-laden sonics that mine the tension within the cycle of destruction and rejuvenation. Lake Fire is the result of a disjointed creative process. Originally conceived as a suite for electronics and ensemble, most of the original compositions were deserted, save for Ash Clouds, featuring James Meager on double bass. The remaining tracks were reshaped and remixed, built anew out of the remnants of the abandoned work. The result is a phoenix, an album burnt to the ground only to be reassembled out of its cinders.
Patricia Wolf Patricia Wolf is a musician, sound designer, and field recordist residing in Portland, Oregon. Wolf’s work sonically unites natural and modern worlds, integrating ecological sources into her minimalist electronic compositions. Using melody and repetition she lures listeners to her hypnotic inner space, conjuring vivid textures and atmospheres imbued with emotion.
In June of 2024 she released The Secret Lives of Birds. In 2024 Wolf also created the soundtrack and did the sound design and sound mixing for Edward Pack Davee’s new feature length film, Hrafnamynd (release of the soundtrack of the same name in out July 2025 on Balmat).
How Much:
www.bandsintown.com InStockBerlin
13347
Germany
Who: Patricia Wolf
Patricia Wolf is a musician, sound designer, and field recordist residing in Portland, Oregon. Wolf uses electronics, voice, and field recordings to produce non-linear compositions that draw listeners to a hypnotic inner world. Her use of melody and repetition manipulate the listeners’ perception of time, conjuring vivid textures, and atmospheres.